ToniBechtold.de

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  Journal Articles

Nina Düvel, Philippe Labonde, Toni Bechtold, Olivier Senn, Reinhard Kopiez; Experience of Groove Questionnaire: German Translation and Validation. Music Perception 1 September 2021; 39 (1): 83–99. doi: https://doi.org/10.1525/mp.2021.39.1.83

Senn, Olivier; Bechtold, Toni Amadeus; Rose, Dawn; Câmara, Guilherme Schmidt; Düvel, Nina; Jerjen, Rafael; Kilchenmann, Lorenz; Hoesl, Florian; Baldassarre, Antonio; & Alessandri, Elena (2020). Experience of Groove Questionnaire: Instrument development and initial validation. Music Perception, 38 (1), 46-65. doi: https://doi.org/10.1525/mp.2020.38.1.46

Senn, Olivier; Rose, Dawn; Bechtold, Toni Amadeus; Kilchenmann, Lorenz; Hoesl, Florian; Jerjen, Rafael; Baldassarre, Antonio & Alessandri, Elena (2019). Preliminaries to a Psychological Model of Musical Groove. Frontiers in Psychology / Performance Science, 10, 1. doi: https://doi.org/10.3389/fpsyg.2019.01228

Senn, Olivier; Bechtold, Toni Amadeus; Hoesl, Florian & Kilchenmann, Lorenz (2019). Taste and familiarity affect the experience of groove in popular music. Musicae Scientiae, 1-22. doi: doi.org/10.1177/1029864919839172

Bechtold, Toni Amadeus & Senn, Olivier (2018). Articulation and Dynamics Influence the Perceptual Attack Time of Saxophone Sounds. Frontiers in Psychology / Performance Science, 1-11. doi: https://doi.org/10.3389/fpsyg.2018.01692

Senn, Olivier; Kilchenmann, Lorenz; Bechtold, Toni Amadeus & Hoesl, Florian (2018). Groove in drum patterns as a function of both rhythmic properties and listeners' attitudes. PLoS ONE, 13(6), 1-33. doi: https://doi.org/10.1371/journal.pone.0199604

  Bookchapters

Bechtold, Toni Amadeus & Senn, Olivier (2016). Jungle Beats: Beobachtungen und Gedanken zur Musik von Irène Schweizer. In Christian Broecking (Hrsg.), Dieses unbändige Gefühl der Freiheit: Irène Schweizer - Jazz, Avantgarde, Politik (S. 385-404). Berlin: Broecking Verlag.

  Presentations & Posters

Bechtold, Toni Amadeus (2021). Jazz-related research at HSLU. 2021 IASJ Research Conference, Leiden.

Bechtold, Toni Amadeus & Witek, Maria (2021). Groove and catchiness in popular music: an interview study with music experts. ICMPC-ESCOM 2021, Sheffield.

Bechtold, Toni Amadeus & Witek, Maria (2021). That’s a Different Type of Groove: How musician’s strategies change groove experiences. Rhythm Production and Perception Workshop (RPPW) 2021, Oslo.

Bechtold, Toni Amadeus; Hoesl, Florian & Senn, Olivier (2019). On the perception of rhythmic complexity by musical experts and non-experts. IMS 2019: Intercongressional Symposium, Luzern.

Kilchenmann, Lorenz; Bechtold, Toni Amadeus; Hoesl, Florian & Jerjen, Rafael (2019). Sample Selection in Corpus-Based Research and the Canonization of Popular Music. IMS 2019: Intercongressional Symposium, Luzern.

Kilchenmann, Lorenz; Bechtold, Toni Amadeus; Hoesl, Florian & Senn, Olivier (2018). Categorizing Western popular music drum patterns. ICMPC15-ESCOM10, Graz.

Bechtold, Toni Amadeus & Senn, Olivier (2017). The influence of articulation and dynamics on the perceptual attack time of saxophone tones. International Symposium on Performance Science 2017, Reykjavik.

Kilchenmann, Lorenz; Bechtold, Toni Amadeus; Hoesl, Florian & Senn, Olivier (2017). The Lucerne Groove Research Library: A collection of materials for groove studies. International Symposium on Performance Science 2017, Reykjavik.

  Background

  2013-2014     CAS Music Research, Lucerne School of Music, with Olivier Senn & Marc-Antoine Camp

  2013-2014     Research Assistant, Forschungsschwerpunkt Performance, Lucerne School of Music  

  since 2014     Research Associate at the Competence Center Music Performance Research, Lucerne School of Music

  since 2019     PhD Student, University of Birmingham, with Maria Witek & Ben Curry

  Research Interests

  Groove, Catchiness, Rhythm, Music Perception, Musical Complexity, Perceptual Attack Time, Harmony, Jazz History, Popular Music